Duruflé: Requiem, Four Motets, Messe Cum Jubilo, an album by Maurice Duruflé, Orchestra of the Age of Enlightenment, Choir of King's College, Cambridge, Stephen Cleobury on Spotify. Strangely, our wordless accompaniment for the soprano line here, and for that matter our “ah” singing in the Introit, always remind me of the “Lullaby” in Vaughan Williams’s Hodie. L'ouvre est donnée en création française le 2 novembre 1947 par Roger Desormière, l'Orchestre National de France, Hélène Bouvier et Camille Maurane. Maurice Duruflé (11/01/1902 - 16/06/1986), a French organist and composer. À 18 ans, il intègre le Conservatoire de Paris ; il y étudie la composition avec Paul Dukas, et l'orgue avec Eugène Gigout, cependant il prenait quand même des lecons privées avec Louis Vierne. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. Duruflé, of course, writing seventy years after Fauré, uses chant throughout. Libera eas de ore leonis, He attended the Conservatoire with Dukas, where he later worked as assistant to Tournemire. 9, per voce e pianoforte (1947) Johann Sebastian Bach : Due corali dalle cantate BWV 22 e 147 , arrangiamento per organo solista di Maurice Duruflé (1952) Louis Vierne : Trois improvisations per organo (Notre-Dame-de-Paris, novembre 1928), trascritte da Maurice Duruflé (1954): The monks of Solesmes thus became leaders in a long-lasting international movement to bring chant back to its medieval form and medieval style of performance—or, to be blunt, what they thought that performing style might have been, since more than 1000 years had passed since plainchant was first written down and it had hardly remained static in the intervening period. Compositeur, organiste, professeur honoraire au Conservatoire, Officier de la Légion dhonneur, Commandant de lordre de Saint-Grégoire-le-Grand, Chevalier des Arts et Lettres, Maurice Duruflé sest éteint le 16 juin 1986 à Louveciennes. Zijn bekendste werk is het requiem (opus 9) uit 1947. In 1920 Duruflé became deputy to Tournemaire at Ste Clotilde and entered the Paris Conservatoire, eventually winning the premier prix in five classes, including organ (where he studied with Eugène Gigout) and composition (where Paul Dukas [1865–1935], of Sorcerer’s Apprentice fame, was his teacher). fac eas, Domine, de morte transire ad vitam, The text for the “Pie Jesu” is from the conclusion of the sequence “Dies irae,” but when set separately it serves as an elevation motet. Em 1953 ele casou-se com Marie-Madeleine (após seu casamento com Lucette Bousquet ter terminado em 1947). Everyday low prices and free delivery on eligible orders. Although he was born in 1902 and died in 1986, Maurice Duruflé is not a typical 20th-century musician. Le texte latin de chacun des neuf mouvements est le suivant : Requiem æternam dona eis Domine, Between the ages of 10 and 16 he was a student at the choir school of Rouen Cathedral. repræsentet eas in lucem sanctam, El Requiem, op. Le compositeur ne l'acheva pourtant qu'en 1947, donc après la fin de la guerre et du régime. The abbot, Dom Prosper Guéranger, wanted to revive more than just the monastery, though. Duruflé déclara qu'il préférait lui-même que les parties solistes soient chantées par un pupitre entier du chœur et l'œuvre est souvent exécutée ainsi. Associate Conductor Jenny Wong leads a performance of Maurice Duruflé’s beloved Requiem, the composer’s evocation of the essence of Gregorian style. By the time Duruflé was in choir school and learning to play the organ, then, his teachers were well-versed in “new” (old) plainchant and the modal foundations of these melodies. The gentle melancholy and beauty of the work fit so well with the beauty of delayed spring chafing against the farewells to friends and classmates that are so soon to follow. eClassical.com is a completely virtual record label and a secure online store open 7 days a week, 365 days a year. Duruflé’s Requiem is suffused with its plainchant models, all drawn from the Liber usualis. dum veneris judicare sæculum per ignem. Pour Maurice Duruflé (1902–1986), la composition était un processus lent et laborieux, exigeant des révisions constantes et un métier impeccable: en soixante ans, il ne publia que dix œuvres, une de moins que son professeur Paul Dukas, perfectionniste meticuleux lui aussi. Benedictus qui venit in nomine domini. Although Duruflé denied it, his Requiem certainly seems as if it were modeled on Fauré’s famous counterpart. libera animas omnium fidelium defunctorum Le Requiem, opus 9, de Maurice Duruflé est une messe des morts, composée à l'occasion d'une commande du régime de Vichy datant de l'an de grâce 1941. 4) and his Prélude et fugue sur le nom d’Alain, Op. The thematic material is mostly taken from the Mass for the Dead in Gregorian chant. But to understand what chant meant to Duruflé and his contemporaries, we need a short detour through French history. Maurice Duruflé: Requiem, op. Shop and Buy Requiem, Op. Composition majeure et emblématique de ce compositeur, l'œuvre est pour chœur mixte avec des solistes mezzo-soprano et baryton. Maurice Duruflé (1902 -1986) écrit son Requiem en 1947, à la demande de l'éditeur Auguste Durand. Das Werk entstand ab 1941 als Auftragsarbeit für das französische Vichy-Regime . A brilliant recitalist, he toured internationally and premiered important works such as Poulenc’s Organ Concerto. et perducant te in civitatem sanctam Jerusalem. The Schola Cantorum, for example, was founded in 1894 specifically to support musical reform in the liturgy in the guise of chant and Palestrina-style polyphony; specialized chant journals appeared, and so on. Exaudi orationem meam, Kyrie," "Requiem, Op. Maurice Duruflé ‎– Requiem De Duruflé (Pour Soli, Chœurs, Orchestre & Orgue) Label: Erato ‎– STU 70010, Erato ‎– LDE 3098 9, including "Requiem, Op. et lux perpetua luceat eis. Dum veneris judicare sæculum per ignem. Also evocative of chant is the free-flowing rhythm throughout (chant was likely performed in equal note values for much of the Middle Ages), captured by constant metrical shifts; see the “Lux aeterna” here. The relevant chants for the mass are laced throughout the various movements, sometimes in the voices, sometimes in the instruments, sometimes clearly stated, sometimes embellished (the latter being standard practice for organists, for whom improvisation on a sacred melody was a standard professional expectation in their positions). Customers and visitors can download classical music in high quality FLAC or MP3 and find out more about classical music. Agnus Dei, qui tollis peccata mundi, It sounds better with a good organ than with an orchestra, with boys instead of females and with soloists rather than unison voice parts. La dernière modification de cette page a été faite le 5 janvier 2021 à 18:26. ad te omnis caro veniet. Sanctus Dominus Deus Sabaoth. Has been Temporarily Discontinued. Le Requiem, opus 9, de Maurice Duruflé est une messe des morts, composée à l'occasion d'une commande du régime de Vichy datant de l'an de grâce 1941. Puesto en … 48 / Durufle: Requiem, Op. An automobile accident in 1975 drastically curtailed his activity thereafter. Requiem æternam dona eis, Domine, Biografia. 9). var contact = "please email her" Pie Jesu Domine, The First Republic brought on by the Revolution was followed by Napoleon and the First Empire, where the church fared only somewhat better. Pour des raisons obscures… La voix de baryton chante le troisième mouvement Domine Jesu Christe, et le huitième Libera me. Maurice Duruflé (Louviers, Eure; 11 de enero de 1902 - Louveciennes, 16 de junio de 1986) fue un compositor y organista francés. But unquestionably he is most famous for his masterpiece, the Requiem (Op. So whenever I think of this piece, I think of spring—the same kind of late gloomy spring that we have in Rochester, with the sadness that the end of the school year always brings for me. This emphasis on the melodic line is sometimes underscored by sustained instrumental accompaniment (when the baritone solo enters after rehearsal 40, for example). quarum hodie memoriam facimus; モーリス・デュリュフレ（Maurice Duruflé, 1902年 1月11日 - 1986年 6月16日）は、フランスの作曲家・オルガン奏者。 ルーヴィエール出身でパリに没した。長寿ではあったが、出版作品は最も有名な《レクイエム》を含めて全部で14曲しかない。 Buy Duruflé: Requiem by Thomas Allen, Corydon Singers, Ann Murray, Maurice Duruflé, Matthew Best, English Chamber Orchestra from Amazon's Classical Music Store. FAQs Requiem: The Sale of MP3 Audio Files. La première de la version pour grand orchestre a été faite à Paris, salle Gaveau, le 2 novembre 1947 avec l'Orchestre National de France sous la direction de Roger Désormière, avec comme solistes, Hélène Bouvier et Camille Maurane. If you have read the Verdi Requiem entry in The Choral Singer’s Companion, you know that the “Libera me” is part of the Absolution said over the coffin after the Requiem mass proper (a short history of the Requiem mass in general is found in the Mozart Requiem entry; a short history of the mass overall is found under Bach). 9, de Maurice Duruflé, fue publicado en 1947 por el editor de música francés Auguste Durand. The French Revolution of 1789, and the execution of Louis XVI in 1793, brought an abrupt halt to a monarchy that could be traced back to Charlemagne in the eighth century. , Born: 11 January 1902, in Louviers Maurice Duruflé, Marie-Madeleine Duruflé-Chevalier, Hélène Bouvier, Xavier Depraz, Chorale Philippe Caillard, Orchestre A Cordes De l'Association Des Concerts Lamoureux - Requiem ‎ (LP) Argo Record Company Limited 9, è un adattamento del Requiem Latino di Maurice Duruflé per voce solista, coro misto e organo o orchestra con organo. À la place, Duruflé a choisi les textes plus calmes et plus méditatifs du requiem. The Requiem, Op. Requiem æternam, dona eis Domine, And then finally the Duruflé. Il est alors surtout connu comme organiste, dans une moindre mesure comme compositeur de musique pour orgue. To cite just one straightforward example, the plainchant Introit for the Requiem mass (“Requiem aeternam”) begins with the pitches F F G (Re-) F (qui-) F (em) F G A (Ae-) A G G F G (ter-) G F (nam). Duruflé sometimes makes melodic lines sound even more chant-like. Thus, the nineteenth century saw France swing back and forth between conservative and progressive governments, with the significance of the church waxing and waning accordingly. After Napoleon a limited monarchy was restored; this ended with the advent of the Second Republic in 1848 (a year of revolution across much of Europe), followed four years later by the Second Empire. Duruflé brought the church's unique language of plainsong into a compelling liaison with the secular harmonies of the modern French school (as typified by Debussy, Ravel, and Dukas) in works for his own instrument and in his widely loved masterpiece, the Requiem Op. var h = "thechoralsingerscompanion.com" Duruflé, who studied with Louis Vierne and Paul Dukas, was inspired in his requiem by the Gregorian melodies of the Catholic liturgy, which he in some cases quotes in the original and drapes in very subtle sounds. de pœnis inferni, et de profundo lacu. Es su obra más famosa. Hosanna in excelsis. Te decet hymnus, Deus in Sion, et tibi reddetur votum in Jerusalem; exaudi orationem meam, ad te omnis caro veniet. Requiem æternam dona eis Domine, var s = "?Subject=Contacting%20The%20Choral%20Singer’s%20Companion" Duruflé inclut des pièces de cette œuvre dans le Requiem, qui reprend de nombreux thèmes de la messe grégorienne pour les morts. Thanks to Napoleon, for example, even today a church marriage is not valid in France (or Belgium, for that matter); only a civic marriage is legal. 9: I. Introit," "Requiem, Op. He briefly took over from Marcel Dupré as Professor of Organ at the Paris Conservatoire in 1942, and was Professor of Harmony there from 1943 to 1970 (Marie-Claire Alain was one of his pupils). Il offrit alors l'œuvre à l'éditeur de musique Auguste Durand. et lux perpetua luceat eis. Preview, buy, and download songs from the album Maurice Duruflé: Requiem, Op. The CyberBass Project is Working Tirelessly to. This piece was a particular favorite of previous Master Chorale Music Directors, Roger Wagner and Paul Salamunovich, both contemporaries of … Requiem aeternam dona eis, Domine, et lux perpetua luceat eis. His goal was to restore plainchant to its Gregorian roots. Of Rouen Cathedral melodic line that begins our work than the original leonis, ne cadant in.. 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